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        <title>detrius</title>
        <link>http://www.10thmonth.net/detrius/</link>
        <description>a. fragments or grains that have been worn away 
b.  Accumulated material; debris:</description>
        <language>en-us</language>
        <copyright>Copyright 2008</copyright>
        <lastBuildDate>Thu, 27 Nov 2008 17:50:30 +0000</lastBuildDate>
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            <title>Final thoughts on New Media, New Audience</title>
            <description><![CDATA[<a href="http://www.inter-actions.biz/">Annette</a> has a <a href="http://www.inter-actions.biz/blog/2008/11/the_morning_after_the_new_medi.html">useful summary</a> up. Damien <a href="http://www.mulley.net/2008/11/26/i-have-a-stack-of-about-60-business-cards/">thinks </a>it was the best organised conference he was at and <a href="http://omaniblog.blogs.ie/">Omaniblog</a> wonders why there aren't more bloggers blogging about it.<br /><br />Final thoughts from my scribbled notes (I scribbled and rather than liveblogged later) <br /><br />Importance of Consistency and restraint - Sheila de Courcey<br /><br />References to "harvesting" "casting your bread on the water and see what comes back" <br /><br />Note to self to remind myself to email Paul on the his point on snowflakes a comment from James Joyce "the universal is found in the particular" <br /><br />Analogy of the interent to Pirate Radio. Not sure that I want to see the future based on that analogy. <br /><br />In Damiens Presentation<br />The notion of dialects. Reference to <a href="http://en.wikipedia.org/wiki/Parkour">Parkour </a>(urban running and Nike by Damien). He also seemed to checkpoint most of the points I use in my MBA class including <a href="http://www.10thmonth.net/blog/mt-static/html/www.englishcut.com">The English Cut</a>. Then threw in a ton of other good ideas. (The English cut by the way is a good example of the pebbles making money from their art - it helps that you can't digitize suits)<br /><br />On <a href="http://www.artsjournal.com/artfulmanager/">Andrew Taylors</a> presentation<br />Technology does not create anything new. Reveals dynamics that were always there.&nbsp; (notion of IT as "making the invisible visible" repeated here)<br /><br />3 Premises<br />1 Can't engage the world directly so we do it via model (which become difficult to change). We create simualtions, models and metaphors based on experience that we can engage with.<br />2 Our models are always wrong (reference to George Box "all models are wrong but some are useful")<br />3 Structures (even mental ones) influence behaviour<br />"we shape our buildings and afterwards our buildings shape us". Interesting story on Churchill not wanting the House of Parliment remodelled because it would change the nature of debate and change the nature of democracy <br /><br />Further disucssion ot he Container/Boundary and the Production/Consumption metaphors. <br /><br />Critical point of the discussion - "all meaning is co-created, co-produced"&nbsp; Production/Consumption is a useful fiction - can deliver only to someone ready to receive (there is a whole piece here in my mind that relates back to the 'Conduit Metaphor' - Andrew never mentions this but I assume he knows. His brilliance is not needing to mention it) <br /><br />""Without an act of recreation the object is not percieved as a work of art" - <a href="http://en.wikipedia.org/wiki/John_Dewey">John Dewey</a><br /><br />What to do when "traditional" boundaries and thresholds move or dissolve? What if all value is co-created. What if our current management metaphors are no longer useful? <br /><br />Further reference to "Art as Experience" by John Dewey and the example of lightening in the field and what it illuminates.<br /><br />I watched the final plenary session on TV in the lobby as I had to dash before it was finished. Well worth the time and well done to those who organised and participated.<br /><br />]]></description>
            <link>http://www.10thmonth.net/detrius/2008/11/final-thoughts-on-new-media-ne.html</link>
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                <category domain="http://www.sixapart.com/ns/types#tag">arts technology culture media blog</category>
            
            <pubDate>Thu, 27 Nov 2008 17:50:30 +0000</pubDate>
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            <title>New Media Old Audience</title>
            <description><![CDATA[The conference today was good. Felt a little bit of an interloper as I'm not an artist but its taxpayers money (that me) and it was my time.<br /><br />Had a very good time. Great to hear <a href="http://www.charlesleadbeater.net/home.aspx">Charles Leadbeater </a>and <a href="http://andrewkeen.typepad.com/">Andrew Keen</a> in person. (Love the "Antichrist of Silicon Valley Business Card) <br /><br /><a href="http://www.mulley.net/">Damien Mulley</a> gave an interesting talk (also interesting in that he makes many of the points that I make to my MBA students). Should the link to Damien be to his personal blog or to his new professional <a href="http://www.mulley.ie/">Mulley Communications </a>blog.<br /><br /><a href="http://www.artsjournal.com/artfulmanager/">Andrew Taylor</a> gave an interesting talk (for professional reasons) and made some good points to me later in conversation.<br /><br />The panel session on New Media in practice was very interesting. Some fun things going on. Met <a href="http://splinister.com/blog/">Maura McHugh</a> from that panel at lunch to find out she has been to Clarion West and had teaching from Vernor Vinge.<br /><br />I think the "What would you recommend" panel session was disappointing. A bit too rambling and a very stuffy room.<br /><br />Bumped into an old classmate from my undergrad days (Hi Frank) and me the very interesting <a href="http://omaniblog.blogs.ie/">Paul O'Mahony</a>&nbsp; <br /><br /><br /><br /> ]]></description>
            <link>http://www.10thmonth.net/detrius/2008/11/new-media-old-audience.html</link>
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                <category domain="http://www.sixapart.com/ns/types#tag">arts technology culture</category>
            
            <pubDate>Tue, 25 Nov 2008 20:30:25 +0000</pubDate>
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            <title>Liveblogging New Media New Audience</title>
            <description><![CDATA[Philip King on stage<br /><br />"strange how things in the offing convert into things unknown"<br /><br />Irish music is a conversation that happens in real time. Nothing replace what happens when two musicians sit down together.. Music co-exists... nothing replaces the warmth of the exchange that happens.&nbsp; Can we maintain the personal relationship .. retain it while embrasing the technologies.<br /><br /><br />Martin Manseragh<br /><br />.. even bewildering times ..&nbsp; a timely conversation... harness the power of new media..&nbsp;&nbsp; content or substance more important than the means of communication..<br />broader access <br />enhancement diversification and choice<br /><br />[made a reference to 1916 poets, artists and eductional sphere]<br /><br />artists defining contibution to make<br /><br />John Kelly gives a interesting and witty introduction to Charles Leadbetter and Andrew Keen making reference to the fact both he and Charles Leadbetter are Arsenal supporters and Andrew Kean is a Tottenham Hotspur supportor.<br /><br />9:50 <br />Charles Leadbetter recommends you watch the 4 min youtube video if you want to pretend you've read the book<br />"you are a utopian cretin" - 7th comment on his video <br /><br />shows a youtube video Pachabels Canon on electic guitar<br />52 million people have watched<br />Describes chain of distribution of video<br />And process of how it might (not) work if the BBC were doing it <br />Process of sharing and learning<br />A world where people like him no longer have to ask permission.<br /><br />Media industry used be organised around Boulders e.g. BBC, Pearson, <br />Now its lots of pebbles on the beach - Flickr collection of photo pebbles.. etc Successful boulders in the future will have to talk pebble. Obama did it - boulder who did the pepple successfully. Gathered lots of money via pebbles<br /><br />New ways of thinking about it.&nbsp; Need is a different and consumer centric view of experiences <br />3 kind of experiences&nbsp; - 1) enjoy, internalised personalised could be intellectual, entertainment or spiritual but personal (he gets them from watching 3 episodes of the wire ) people go to museums for experiences like that avant guard version of that story - deliberately shocking to disrupt your view of the world <br />2) experiences that are talk experiences - watch football for 90 minutes a week and talk about it for 3 or 4 hours per week. Creates hugh amount of socialisation around the experience. Twitter etc are deeply social about talk. <br />3) experiences that are deeply participative. these are experiences of creating cutlure.. "art made better the more participative it is" and avant guard version of that as well <br />Often best encompass all 3 (X-Factor has all 3 not that its the best)<br />There are different ways of aligning stuff<br />In folk music different way of looking at authorship. One way of looking at the future is by going back to the past<br />His parents 80% enjoy, 18% talk, 2% do<br />His son 20% enjoy, 40% talk, 40% do<br /><br />10:10 Andrew Keen<br />Always go after Charlie. <br />I was of course that 7th critic on you tube. I was the one who wrote the "utopian cretin"<br /><br />The issues is how you monitise your creativity.&nbsp; He is idealising this culture. And its not new. Read how Marx talks about how technology can save us. How something human taken out by industrial revolution and how technology can allow us to recover that. I believe what that young man was doing up there was essentially human.<br /><br />Trying to defend a notion of artisitic professionalism that is being challanged by an idealised utopianism. .... Internet didn't create it .. prephaps we can trace it back to the 60's ... put together 60's cultural rebellion, put together with economic liberalism of the 80s and you have the&nbsp; cultural democracization<br /><br />Not value free. "From Counterculture to Cyberspace" cited in both Charlie and Andrews book<br /><br />Cultural assault on authority.<br />Does away with all standards and all ethics. Creating new ideolorgical struggle. "Davos man" For or against Davos.<br /><br />Bought into the utopian notion. Andrew tried it himself. Crap at the technology. Got together with a BBC indepenant producer and made interviews and was great. That what wrong with this economy. OK for kid in garage who wants to be on YouTube. Problem, tradegy with whats going on today is the old world is falling to pieces.&nbsp; We have a crisis in the professional media business. People being rejected by the democracized masses.. We have the emergence of a pebble business. No one is making money. Vast majority of people are not monitizing their talent. Today we see the coming together of the 2 medias. <br />Print is dead.<br />Music business is dead.<br />Not against the internet. <br />Challange is to use good tools of integrating new tools into traditional business.<br />Important to ask the question wheres the money. Audience does not translate into revenue. Facebook is the petfood.com of the web 2.0 era. (gone from valuation of $15Bn to $1Bn) How do we get people to pay<br />]]></description>
            <link>http://www.10thmonth.net/detrius/2008/11/liveblogging-new-media-new-aud.html</link>
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                <category domain="http://www.sixapart.com/ns/types#tag">new media culture technology</category>
            
            <pubDate>Tue, 25 Nov 2008 09:27:42 +0000</pubDate>
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            <title>Damien Mulley highlights that 47% of Irish Schools get their web connection via crappy Satellite</title>
            <description><![CDATA[From Damien Mulley<br /><br /><a href="http://www.mulley.net/2008/11/06/47-of-irish-schools-get-their-web-connection-via-crappy-satellite/#comment-912642">47% of Irish Schools get their web connection via crappy Satellite</a><br /><br />As I said on the site <br /><br /><blockquote><p>Whats worrying is that we’re creating the equilivant of digital
illiteracy - over 20% of the adults in this country are functionally
illiterate despite our “world class” education system. </p><p>Technology itself is not the answer there are much deeper problems,
the attitude to technology being a key one. In ireland its superfical
and vacuous like so much else</p></blockquote>
<br />]]></description>
            <link>http://www.10thmonth.net/detrius/2008/11/damien-mulley-highlights-that.html</link>
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            <pubDate>Thu, 06 Nov 2008 17:53:06 +0000</pubDate>
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            <title>Free as in it costs your time and thats quite finite</title>
            <description><![CDATA[I remember giving a presentation on "The Knowledge Economy" a few years ago when one of the left field questions was on "<a href="http://en.wikipedia.org/wiki/Attention_economy">The Attention Economy" </a>&nbsp;&nbsp; described as <br /><blockquote><br />...in an information-rich world, the wealth of information means a
dearth of something else: a scarcity of whatever it is that information
consumes. What information consumes is rather obvious: it consumes the
attention of its recipients. Hence a wealth of information creates a
poverty of attention and a need to allocate that attention efficiently
among the overabundance of information sources that might consume it" <cite class="inline">(<a href="http://en.wikipedia.org/wiki/Attention_economy#CITEREFSimon1971" title="">Simon 1971</a>, p.&nbsp;40-41)</cite>.<br /></blockquote><a href="http://www.popmatters.com/">Pop Matters</a> describes this in<a href="http://www.popmatters.com/pm/blogs/marginalutility_post/59981/the-time-cost-of-free-goods"> more detail</a><br /><br /><blockquote>We find the promise of free things hard to resist (even when a little thinking reveals that the free-ness is illusory). So when with very little effort we can accumulate massive amounts of “free” stuff from various places on the internet, we can easily end up with 46 days (and counting) worth of unplayed music on a hard drive. We end up with a permanent 1,000+ unread posts in our RSS reader, and a lingering, unshakable feeling that we’ll never catch up, never be truly informed, never feel comfortable with what we’ve managed to take in, which is always in the process of being undermined by the free information feeds we’ve set up for ourselves. We end up haunted by the potential of the free stuff we accumulate, and our enjoyment of any of it becomes severely impinged.<br /><br /></blockquote>So&nbsp; we need more <a href="http://bitliteracy.com/">Bit Literacy </a><br /><blockquote> </blockquote>]]></description>
            <link>http://www.10thmonth.net/detrius/2008/10/free-as-in-it-costs-your-time.html</link>
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                <category domain="http://www.sixapart.com/ns/types#tag">information attention time knowledge</category>
            
            <pubDate>Fri, 31 Oct 2008 00:39:34 +0000</pubDate>
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            <title>Hedge Funds lack understanding of risk</title>
            <description><![CDATA[Via Brad DeLong http://delong.typepad.com/sdj/<br /><br /><blockquote><a href="http://delong.typepad.com/sdj/">The Porsche-VW Corner of 2008</a>:
Richard Milne in London: Volkswagen’s shares more than doubled on
Monday after Porsche moved to cement its control of Europe’s biggest
carmaker and hedge funds, rushing to cover short positions, were forced
to buy stock from a shrinking pool of shares in free float. VW shares
rose 147 per cent after Porsche unexpectedly disclosed that through the
use of derivatives it had increased its stake in VW from 35 to 74.1 per
cent, sparking outcry.... [T]he sudden disclosure meant there was a
free float of only 5.8 per cent – the state of Lower Saxony owns 20.1
per cent – sparking panic among hedge funds. Many had bet on VW’s share
price falling and the rise on Monday led to estimated losses among them
of €10bn-€15bn.... “This was supposed to be a very low-risk trade and
it’s a nuclear bomb which has gone off in people’s faces,” said one
hedge fund manager. As of last Thursday, according to consultancy Data
Explorers, 12.9 per cent of VW’s shares were on loan for investors to
go short and bet on them falling – the highest percentage of any German
company.<br /><br /></blockquote>So it was "supposed to be a low risk trade". Serves the buggers right.&nbsp; <br /><br /><br /> ]]></description>
            <link>http://www.10thmonth.net/detrius/2008/10/hedge-funds-lack-understanding.html</link>
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                <category domain="http://www.sixapart.com/ns/types#tag">information finance</category>
            
            <pubDate>Thu, 30 Oct 2008 00:13:52 +0000</pubDate>
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            <title>Link of interesting things</title>
            <description><![CDATA[<br /><a href="http://www.youtube.com/watch?v=kJ02I6QyagM">Derren Brown The so called Messiah 1 of 8</a><br />

<br />Reverse Engineering <a href="http://harvardbusinessonline.hbsp.harvard.edu/b02/en/common/item_detail.jhtml;jsessionid=NFCNWSGRLHUFIAKRGWDSELQBKE0YIISW?id=R0804C">Google's Innovation Machine</a><br /><br /><br /><a href="http://harvardbusinessonline.hbsp.harvard.edu/b01/en/common/item_detail.jhtml;jsessionid=14E30G3GRXQEWAKRGWDSELQBKE0YIISW?id=R0804E&referral=1043">Can You Say What Your Strategy Is?</a>   (And if you need an article in the Harvard Business review to figure it out you have a big problem.<br /><br /><a href="Multitasking is Evil http://www.stickyminds.com/eNewsletters/Iterations/Default.aspx?eNewsletter=200805#powerbookreview">Multitasking is Evil</a><br />Great example. Not really EVIL. More suboptimal but a necessary feature of life. <br /><br /><a href="http://blogs.zdnet.com/Bott/?p=437&page=2">Fixing Windows Vista</a><br />My problem with a lot of this article says basically don't install anything and it'll be grand. Is that a recommendation for saying the only thing to run on Vista is Google Apps?<br /><br /><a href="http://www.cl.cam.ac.uk/~rja14/Papers/bjgp.pdf">Medical records security and privacy.</a> Interesting and serious.<br /><br /><br />  ]]></description>
            <link>http://www.10thmonth.net/detrius/2008/06/link-of-interesting-things.html</link>
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            <pubDate>Wed, 04 Jun 2008 20:58:32 +0000</pubDate>
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            <title>Breakfast Roll Index to the economy</title>
            <description><![CDATA[Overhead in a Statoil Station.<br /><br /><blockquote>"The economy is fucked."<br /><br />"How do you figure that out"<br /><br />"The Breakfast rolls have gone down from 50 sold in a morning to 20 a morning" </blockquote><br /><br />Makes as much sense as anything else I suppose<br /> ]]></description>
            <link>http://www.10thmonth.net/detrius/2008/04/breakfast-roll-index-to-the-ec.html</link>
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                <category domain="http://www.sixapart.com/ns/types#tag">economy</category>
            
            <pubDate>Wed, 16 Apr 2008 17:25:34 +0000</pubDate>
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            <title>Arthur C. Clarke (RIP)</title>
            <description><![CDATA[<p><a href="http://en.wikipedia.org/wiki/Arthur_C._Clarke">Arthur C. Clarke</a> (<a href="http://ap.google.com/article/ALeqM5ijDA5bgxiHlTvS_r-SSjskS1Tq1wD8VG3BKO4">RIP</a>)</p>
<p>Together with <a href="http://en.wikipedia.org/wiki/Isaac_Asimov">Issac Asimov </a>he was one of my favourite authors when I was growing up. One of the reason's I'm a little suspicious of "childrens fiction" is I read adult fiction from the age of about 11. Together with <a href="http://en.wikipedia.org/wiki/Robert_A._Heinlein">Robert Heinlein </a>he and&nbsp;Asimov were&nbsp;THE big 3 Science Fiction authors. Asimov and Clarke&nbsp;are the people who set fire to my imagination.</p>
<p><br />Quotable Quotes </p>
<blockquote>
<ul>
<li><i>"Life is just one big banana. Science fiction allows us all to peel open the reality and discover the yellow truth inside."</i></li></ul>
<p><a title="Clarke's three laws" href="http://en.wikipedia.org/wiki/Clarke%27s_three_laws">Clarke's three laws</a>:</p>
<dl>
<ol>
<li>"When a distinguished but elderly scientist states that something is possible, he is almost certainly right. When he states that something is impossible, he is very probably wrong."</li>
<li>"The only way of discovering the limits of the possible is to venture a little way past them into the impossible."</li>
<li>"Any sufficiently advanced technology is indistinguishable from magic."</li></ol></dl>
<dd>&nbsp;</dd></blockquote>]]></description>
            <link>http://www.10thmonth.net/detrius/2008/03/arthur-c-clarke-rip.html</link>
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            <pubDate>Wed, 19 Mar 2008 18:54:47 +0000</pubDate>
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            <title>The Leprechaun Brothers - The Muppets do Danny Boy</title>
            <description><![CDATA[For anyone confused about Irish identity or what it means to be Irish stop navel gazing and enjoy this.<br>
And Happy St. Patricks Day<br>

Thanks to <a href="http://dynamic.boingboing.net/cgi-bin/mt/plugins/Profile/profile.cgi?username=Cory%20Doctorow">Cory</a> at <a href="http://www.boingboing.net/2008/03/17/muppet-danny-boy-per.html">Boing Boing.</a> 

<object width="425" height="355"><param name="movie" value="http://www.youtube.com/v/OCbuRA_D3KU&hl=en"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/OCbuRA_D3KU&hl=en" type="application/x-shockwave-flash" wmode="transparent" width="425" height="355"></embed></object>]]></description>
            <link>http://www.10thmonth.net/detrius/2008/03/the-leprechaun-brothers-the-mu.html</link>
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                <category domain="http://www.sixapart.com/ns/types#tag">humour funny Irish identity muppets</category>
            
            <pubDate>Mon, 17 Mar 2008 15:34:18 +0000</pubDate>
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            <title>Who has the best online photo&apos;s part 1</title>
            <description><![CDATA[<p>So we had a fair few photos to get developed. Yes I'm still partially analog especially when it comes to photos's. More importantly so is Granny and a host of others. So with a plenty of photo's to develop and I decided to give online developing a try. Its kind of a gradual progression, since Xtravision shut up shop locally its been Screenclick.com.<br /><br />I ended up trying 3 different providers. <a href="http://www.snapfish.ie/welcome">Snapfish</a>, <a href="http://www.photobox.ie">Photobox </a>and <a href="http://www.aldiphotos.ie/">Aldi </a></p>
<p><br />I wanted 6x4 prints. Aldi don't do 6x4 but the others do. So I divided my 150 snaps in 3 and went ahead. The experience was interesting to say the least. Photobox and Snapfish use java tools to help you upload as well as a local tool you install. Aldi gets you to download an application. I found the Aldi application a pain. It was incredibly user unfriendly and I ended up downloading two differnet applications and visiting the site at least 3 times to figure out what was going on. That said once it was installed and running it seemed quite straighforward to use. Oh they offer a discount on the first set of orders but unlike the others the cupon comes via email after you register so I missed out on that for the first order. Like all of them it depends as to whether I will order again or not.<br /><br />The process is very similar in the case of all three. Upload, review, order the size and go ahead. <br /><br />Estimated 1-2 days to process and a few more days to deliver. Sounds OK. All confirmed the order and all confirmed the processing within 24 hours (one at 4am in the morning). <br /><br />Anyway I was delighted to see the Snapfish envelope when I arrived home the other day. First through the door. Delighted until I opened the envelope. The first disappointment was the size. Not 6x4 as ordered but 5.something x4 and the slightly smaller size (which is what Aldi will deliver is not great). What was worse was the quality of the photos. They were universally dreadful. Lets be blunt. This is the worst set of photos I have ever received with a digital camera. They all had a terribly washed out look to them.&nbsp; Its very hard to put my finger on but there is a serious quality problem. My wife agrees. They are not the same as the original digital prints and my only conclusion is that I will not be using Snapfish again. For comparison purposes I'm going to get the set of 50 reprinted using <a href="http://ie.foto.com/">foto.com</a> to see if there is a noticable difference (particularly as they both use Kodak paper).<br /><br />So we await the Aldi and Photobox prints with baited breath.</p>
<p>The photos were created with a Canon Powershot S5IS in case anyone is interested</p>]]></description>
            <link>http://www.10thmonth.net/detrius/2008/03/who-has-the-best-photos-part-1.html</link>
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                <category domain="http://www.sixapart.com/ns/types#tag">consumer online shopping photos</category>
            
            <pubDate>Sun, 16 Mar 2008 00:05:19 +0000</pubDate>
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            <title>Innanity discussing depression</title>
            <description><![CDATA[There was an interesting discussion on the radio the other day about the recent Public Library of Science article on Antidepressants PLoS Medicine - <a href="http://medicine.plosjournals.org/perlserv/?request=get-document&amp;doi=10.1371/journal.pmed.0050045&amp;ct=1">Initial Severity and Antidepressant Benefits: A Meta-Analysis of Data Submitted to the Food and Drug Administration</a><br /><br />The discussion became a little strange at one point. The person speaking (a psychiatrist whose name escapes me) said that the study wasn't published in a high impact journal and that a lot of libraries (university and research libraries I presume) didn't carry it.&nbsp; It was a strange statement as Public Library of Science is just that - a Public Library. Their first two principles are <br /><br /><blockquote><blockquote><ol start="1" type="1"><li><b>Open access</b>. All material published by the Public Library of Science, whether submitted to or created by PLoS, is published under an <a href="http://www.plos.org/journals/license.html">open access license</a> that allows unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
</li><li><b>Excellence</b>. PLoS strives to set the highest standards
for excellence in everything we do: in content, style, and aesthetics
of presentation; in editorial performance at every level; in
transparency and accessibility to the scientific community and public;
and in educational value.
</li></ol></blockquote></blockquote>So all the psychiatrist needs is a machine with Internet connectivity (and seriously does any serious researcher look for articles in paper any more). As to the issue of impact. I think with studies like this one the PLoS Medicine will be failry high impact fairly quickly.&nbsp;]]></description>
            <link>http://www.10thmonth.net/detrius/2008/02/innanity-discussing-depression.html</link>
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                <category domain="http://www.sixapart.com/ns/types#tag">psychology depression understanding science</category>
            
            <pubDate>Thu, 28 Feb 2008 23:13:56 +0000</pubDate>
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            <title>The technology canon</title>
            <description><![CDATA[<br />Espen Andersen <a href="http://www.espen.com/archives/2008/02/the_technology.html">lists </a>&nbsp; the following as the core of the technology canon for people to have read. <br /><br />My take on it<br /><br />The first two are really interesting as they were recommended by our Introductory Programming Course in College. (Those and "How to Solve IT" by Polya). So its very interesting to see them turn up here <br /><br /># Gödel, Escher, Bach: An eternal golden braid by Douglas Hofstadter
<br />- Read It, Own it, Wonderful book. I should reread it as there is something to be learned in each reading<br /><br /># Zen and the Art of Motorcycle Maintenance by Robert Pirsig
<br />- Read It. Own more than one copy - particularly as the updates and later postscript are important. This book I've given to people. My mind melted a little when I first read it. I reread it regularly as there are some fundamentally important ideas in here, even the philosophical system is incomplete. <br /><br /># How Buildings Learn by Stewart Brand<br />On the too read list. Don't own a copy.<br /><br /># A Pattern Language by Christopher Alexander
<br />- Own and read. Great book. Trying to use elements of it in planning changes to our house.<br /><br /># Turing's Man: Western Culture in the Computer Age by J. D. Bolter
<br />- Never heard of it before today. <br /><br /># The Soul of a New Machine by Tracy Kidder<br />- Have an unread copy. <br /><br /># The Mythical Man-month by Frederic Brooks
<br />- Owned and read. Again "No Silver Bullet" was give to us in College so there was a trend there.<br /><br /># Cryptonomicon by Neal Stephenson
<br />- Owned and unread. Interesting to see fiction on the list<br /><br /># The Control Revolution by James Beniger
<br />- Never heard of before today. That two off this list. And I consider myself reasonably well read and if I haven't read it at least I know its something I should read. This I haven't even had the pleasure of residual guilt for not having read the damn thing. <br /><br /><br /># Mastering the Dynamics of Innovation by James Utterback
<br />Unread<br /><br /># The Innovator's Solution by Clayton M. Christensen
<br />Unread. I've only read parts of the innovators dilemma as well. <br /><br /># Consciousness Explained by Daniel C. Dennett
<br />Read and owned. Not sure it fully explains consciousness but worth the read as is most stuff by Dennett.<br /><br /># The Wealth of Networks by Yochai Benkler
<br />Unread.<br /><br /># The Future of Ideas: The Fate of the Commons in a Connected World by Lawrence Lessig<br />Read. Good book.<br /><br />Interestingly both "The Soul of the New Machine" and "Gödel, Escher, Bach" both won the Pulitzer Prize for non-fiction<br /><br />Tomorrow to add my own books to the list. Starting with <br />"The Social Life of Information" by John Seely Brown and Paul Duguid<br /><br />]]></description>
            <link>http://www.10thmonth.net/detrius/2008/02/the-technology-canon.html</link>
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            <pubDate>Wed, 20 Feb 2008 21:23:37 +0000</pubDate>
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            <title>The FAI and pitying the land</title>
            <description><![CDATA[You'd be forgiven for thinking we'd just qualified for the world cup. Or even better won the damn thing. What we appear to have done is pay someone a large amount of money to come and manage the Irish team. I'm not sure how that qualifies as an achievement. Isn't that the point in paying large sums of money. Hope he does well. It'll be&nbsp; an interesting contrast to Steve Staunton no doubt<br /><br />Somehow this quote pops into my mind. <br /><br /><blockquote>"Pity the land that has no heroes,"

says Andrea, a pupil of Galileo. "Pity the land that needs heroes," <br /></blockquote><blockquote><span class="gs_normal"><i>Galileo</i>, by Bertold Brecht, translated by Charles Laughton<br /><br /></span></blockquote>Still though maybe the moaning will stop for a few months.<span class="gs_normal"></span><br /><span class="gs_normal"></span><blockquote><span class="gs_normal"></span></blockquote><br /> ]]></description>
            <link>http://www.10thmonth.net/detrius/2008/02/the-fai-and-pitying-the-land.html</link>
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            <pubDate>Thu, 14 Feb 2008 09:06:50 +0000</pubDate>
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            <title>Dennis O&apos;Brien</title>
            <description><![CDATA[Mmmmh. Rides to the rescue of the FAI. He does to a huge amount for charity. Still be interested in him staying in the country and paying his taxes like say Michael O'Leary. <br /><br />]]></description>
            <link>http://www.10thmonth.net/detrius/2008/02/dennis-obrien.html</link>
            <guid>http://www.10thmonth.net/detrius/2008/02/dennis-obrien.html</guid>
            
            
            <pubDate>Thu, 14 Feb 2008 09:05:02 +0000</pubDate>
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